Matt and Elena: First Date is a short story found on L. J. Smith's official website. The narrative follows Matt Honeycutt's first date with Elena Gilbert, the most popular girl at Robert E. Lee High School. The story acts a prequel to The Vampire Diaries and offers deeper insight to Matt and Elena's relationship before the start of the series.

Official Synopsis

"In a completely new story written specifically for this site, we get a look back in time to Matt and Elena's first date, a year before Elena will meet Stefan. Matt takes Elena to the most expensive restaurant around, and finds that she isn't the Ice Princess he's been expecting. Cuddly, romantic—the greatest danger in this story is the risk of social humiliation."


L.J Smith tells about the beginning of Matt Honeycutt and Elena Gilbert's relationship.


Major Characters

Minor Characters

Excerpt from Matt and Elena - First Date

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A date . . .with Elena Gilbert!

Matt nervously opened his wallet again and counted his cash. A ten dollar bill and six cents left over from what the six neighbors on the cul- de-sac had given him to rake all the autumn leaves from each yard into a giant bonfire-pile. The rest had gone into buying this crisp new pair of casual/formal dress pants. Seven dollars and twenty cents left over from cleaning attics and mowing lawns—the rest of that money had been carefully invested in the jacket he was wearing right now—a lettermanʼs jacket wouldnʼt do, not on this occasion, and heʼd heard that Elena didnʼt like them. A ten dollar bill from helping Mr. Muldoon carefully change all the light bulbs in his house that the old gentleman couldnʼt reach any longer.

Twenty-seven dollars and twenty-six cents . . . plus . . .

He turned the wallet around and pulled it out from its special place of honor—a concealed compartment in the walletʼs side. And there it was, folded in half, as crisp and new-looking as when Uncle Joe had given it to him.

A hundred dollar bill.

He could remember Uncle Joe—Great-Uncle, really, but always called Uncle, pressing the bill into his hand while the nurses were out of the room. "Donʼt blow it on just anything," Uncle Joe had whispered in his grating voice. "Keep it till a special occasion comes. Youʼll know when the time is right. Anʼ fer Godʼs sake"—a pause, while Uncle Joe had a long and racking coughing fit and Matt held him up—"donʼt yʼdare spend it on cigarettes, right? Donʼt you get the habit, boy, cause itʼs only going to bring you grief."

Then Matt had gently lowered Uncle Joe. The glass-shattering coughing was beginning and Matt wanted a nurse to check on Uncle Joeʼs oxygen saturation level. It was 85 when it should have been 100—maybe Uncle Joe needed more oxygen.

That had been exactly two years and two days ago. Exactly two years ago today, Uncle Joe had died.

Matt found that he was grinding one fist into his thigh, painfully. It was hard, hard to remember how Uncle Joe had gone.

But now, looking at the hundred-dollar bill, all Matt could think about was the old manʼs mischievous smile and his rasping words, "Youʼll know when the time is right." Yes, Uncle Joe had known, hadnʼt he? Matt would have laughed himself sick if Uncle Joe had told him what heʼd be spending the precious money on. At just-sixteen young Mattʼs thoughts about girls and cooties had not entirely separated. Okay, so he had been a late bloomer, a slow learner. But now heʼd caught up. And he was going to wear his new pants and an ironed shirt, a real tie that his mother had given him last Christmas, and his brand new sports jacket to the most wonderful event he could imagine.

Blowing over one hundred dollars in one night with Elena Gilbert.

Elena . . . just thinking her name made him feel as if were bathed in sunlight. She was sunlight. With that marvelous golden hair that floated halfway down her back, with her skin, the color of apple blossoms, even after tanning season, with her eyes like luminous, gold-flecked blue pools, and her lips . . .

Those lips. Together with the eyes, they could turn a guy upside down and inside out in no time. At school those lips were always in a modelʼs slight pout, as if to say "Well, really! I expected more than this!"

But Elena wouldnʼt be pouting tonight. Matt didnʼt know where heʼd gotten the courage—heʼd as soon have dumped an ice bucket over football Coach Simpsonʼs head after theyʼd lost a game—but he had managed to work his way up to asking her out. And now, with Uncle Joeʼs hundred-dollar bill, he was going to take Elena Gilbert on a real date, to a real French restaurant: a date that sheʼd never forget.

Matt glanced sharply at the clock. Time to go! He certainly couldnʼt be late.

"Hey, Mom! Itʼs quarter to seven! Iʼm out of here!"

"Wait, wait, Matt!" Mrs. Honeycutt, small and round and smelling of cookies, came at almost a run down the hall. "Going without at least

letting me see you?" she scolded, her eyes beaming. "Who ironed that shirt, may I ask? Who heard about the sale on jackets in the first place?"

Matt gave a mock-groan and then stood, genuinely blushing, as she looked him over.

Finally, Mrs. Honeycutt sighed. "I have a very handsome son. You look like your father when he was young."

Matt could feel himself going an even deeper red. "Now, youʼre going to get home on time—" "Yeah, of course, Mom."

"You sure youʼve got enough money?"

"Yes!" Matt said. Yes! he thought jubilantly.

"I mean, this Gilbert girl, you hear all sorts of things about her. She goes out with college boys. She expects the moon on dates. She doesnʼt have any parents to watch over her. She—"

"Mom, I donʼt care who sheʼs been out with; Iʼve got plenty of money; and she lives with her aunt—as if it were her fault that her parents got killed! And if I stand here another minute, Iʼll end up getting a speeding ticket!"

"Well, if youʼll just let me find my purse, Iʼll give you ten dollars, so youʼre covered, just in case—"

"No time, Mom! Gʼnight!"

And he was in the garage, smelling the familiar smells of grease and oil and rust.

His car—well, he was sort of hoping Elena wouldnʼt look at his car. Heʼd hustle her into it and out of it. It was just a junkyard collection of miscellaneous parts that Matt had somehow managed to attach to the skeleton of his dadʼs wreck and make use of as a vehicle. In his own mind, he referred to it as "The Junk Heap." But there was nothing he could do about it, so he was just hoped Elena wouldnʼt see too much of it in the darkness. He had the way to Chez Amaury memorized, so he wouldnʼt have to turn on the map light.

Oh my God!

This was her street. He was here already! With a sort of gasping gulp he couldnʼt help, Matt loosened his collar a little as he turned. He felt as if he were drowning.

Okay. Gulp. Outside her house. Off with the ignition. Pull out the keys.

Okay. Gulp. Keys in his pocket. Outside the front door.

Okay—gasp—finger on the doorbell. Matt spent about a minute getting his nerve up and then he forced himself to press the little round button.

Distant chimes . . .

And then he was looking at a thin, rather plain woman, who gave him a bright smile and said, "You must be Elenaʼs new date. Come in, come in. Sheʼs still upstairs, you know these young girls. . ."

The woman seemed as hospitable and kind as his own mom, and she did everything she could to make him comfortable. But eventually there was a pause in the conversation that couldnʼt be ignored.

"Y-youʼre Elenaʼs Aunt Judith, arenʼt you?" Matt managed.

"Yes! Oh, donʼt tell me I forgot to introduce myself again! Yes, you can just go ahead and call me Aunt Judith like everyone else. Here, Iʼll get you some chips or something while youʼre waiting. These young girls, you know. EH-LAY-NAAA!" She hurried out as Matt cringed and resolutely refrained from covering his ears.

"Here you go; some Fritos," Aunt Judith was bustling in with a bowl. But Mattʼs eyes werenʼt on her. They were on the vision in blue descending the stairs.

Matt had heard of something so stunning it knocked your eyes out, but heʼd never imagined that heʼd actually see something like that metaphor in the flesh. And yet here it was, in front of him, walking down the staircase.

Elena was an angel.

That was what this dress somehow hinted at. It was . . . well, Matt didnʼt know the right names for such things, but it was strapless and sort of followed her curves at the top. The color was a pale silvery-blue that made him think of moonlight on snow. The top was embroidered with some kind of clear beadwork, and there was a silvery flower low at one shoulder. The bottom of the dress was layers and layers of some see- through material—chiffon?—and the layers foamed and bubbled almost down to Elenaʼs knees. Her long gorgeous legs looked even longer and more gorgeous than usual, and she was wearing adorable silver high heeled shoes with flowers on them that matched her dress.

Elena smiled at him as she came down the stairs and for just a moment Matt thought about all the other guys she had smiled at that way. Coming down those stairs all dressed up was a regular occasion for her, smiling down at a guy was a everyday thing. But then Matt put the thought out of his mind. He and Elena were going to have a wonderful evening together. Tonight that smile was just for him.

"Listen, I want you to make sure you keep warm—" Aunt Judith was beginning, when Elena, never taking her eyes off his, said, "Hello, Matt."

Her voice was sweet, with just a trace of a southern accent that lingered in your ears. It made everything she said sound like a secret she was only telling you.

Something stuck in Mattʼs throat. He couldnʼt get a word out, not while he was so close to her, so close that he could smell her perfume. She smelled like roses in summer, and lavender from an old dowry chest. And also like. . . another scent that must just be her natural fragrance, eau de Elena. Matt was glad heʼd scraped the dirt and grease out of his fingernails with a toothbrush and scrubbed the rest of himself lobster red in an effort to get rid of the smells of old car and musty attic.

But he still hadnʼt spoken. And then somehow, old Uncle Joe, who seemed to live in Mattʼs back pocket, gave him a wallop and the words, "You look great, Elena," came out in a rush.

She did look great. Her skin was like magnolia petals, but always with that faint tone of rose over her cheekbones. She wasnʼt wearing any makeup that Matt could see—but how could you know these days with girls? Her eyelashes were long and thick and dark and they looked almost too heavy for her eyelids—as if, Matt admitted to himself, she was slightly bored with what she saw. But the eyes that they framed were alive with an eager flame. They really were blue with little splashes of pure gold here and there in them. Her lips, though—yeah, she was wearing lipstick. He didnʼt know what name it went by but it should have been called Invitation to Criminal Attack.

Suddenly Matt froze. There was a sound of giggling nearby— multiple sounds of giggling—and they werenʼt coming from Elena. He turned slightly and saw, yes, the rest of the Top Four, Robert E. Lee Highsʼs most sought-after girls. Elenaʼs best friends. They looked like a rainbow.

Dark-haired Meredith Sulez, wearing something comfy-looking in lavender, glanced over at him and smiled. Caroline Forbes, more formally dressed in turquoise—maybe she was going on a date too?—smirked and tossed her bronze-colored head. And dainty, diminutive Bonnie McCullough, the cute redhead in pale green, hid her mouth with her fingers, still giggling.

Their job, obviously, was to put him through the gauntlet.

"Hey, girls,"—that was Caroline, "he looks like a jumpy one to me." Meredith: "Then he canʼt take her out. Nobody jumps Elena—"

Caroline: "I think Iʼll go with him instead. He and I go way back!"

Meredith: "Why should you have him? Heʼs cute! And a quarterback, too. Although he hasnʼt filled out yet."

Bonnie: "He has blond hair and blue eyes. Just like a fairy tale." Caroline: "I say we kidnap him and keep him for ourselves." Meredith: "It all depends on how well he pleads for it."

Pleads? Matt thought. What are they going to make me do, get on my knees?

Elena, who had calmly been putting on a silvery-blue bolero jacket

and checking her face in a small compact mirror, now snapped the mirror shut.

"Theyʼre a nuisance," she said to Matt, nodding at the three girls hanging over the stairs. "But itʼs easiest if you just ask their permission to take me out. Thatʼs what they want, but if we donʼt hurry weʼll be late. Try to make it flowery, too; they like that."

Flowery? Make a flowery speech in front of three of the harshest critics on guys that humankind had ever produced? While Elena was listening in?

Matt cleared his throat, choked, and felt a sharp slap from behind. Uncle Joe was helping him again. He opened his mouth with no idea of what was going to say. What came out was:

""O fairest blossoms of the night . . . help me in my desperate plight! Please let me steal this flower rare—to watch her with devoted care, I need to beg your kind approval Before I risk her quick removal.""

There was a profound silence. At last Caroline shook back her bronze hair and said, "I suppose you had it all made up before. That halfback Terry Watson told you. Or that other guy on the football team— whatʼshisname—"

"No, they didnʼt," Matt said, getting his courage from two places: his back pocket, and his long association with Caroline Forbes. "Nobody told me and I donʼt plan to tell anybody else. But if we donʼt get out of here, now, weʼre going to be late. So can I take her or not?"

To his surprise all the girls began laughing and clapping. "We say: yes!" Meredith cried, and then they were all yelling it, and Bonnie threw him a kiss.

"Just one thing," Aunt Judith said. "Please tell me where youʼre going tonight, in case—well, you know."

"Of course," Matt said, without a glance up at the girls. "Itʼs Chez Amaury."

There was a rustle above him, murmurings in all different cadences, the gist of which was, "Wow!"

Elena said softly, "Thatʼs one of my favorites."

One of her favorites. Matt felt himself shrink—then, with a kick in the butt from Uncle Joe, straightened up and felt better. At least heʼd picked a good restaurant.

And then, before Matt knew what was happening, he was being hustled out the door. And then he was alone on the porch . . . with Elena.

"Iʼm sorry about that circus," she said in her smooth, gentle voice, looking up at him like a little girl. "But they insist on doing it to all new boys. Itʼs really juvenile, but we started it back in junior high. Yours was the best poem Iʼve ever heard."

Who could be mad at her? Matt escorted her to the car and opened the passenger door for her as quickly as he could and got her settled in. Then he ran around to his side of The Junk Heap and got in himself.

"Oh," Elena said after heʼd made a turn away from town, "are we going somewhere before the restaurant?" She spoke without even seeming to see—or smell—anything unusual about the vehicle.

"Yeah, our first stop—thatʼs a secret. I think we may just make it by seven-thirty. I hope you like it."

For the first time, Elena laughed out loud, glancing at him sideways. And the laughter was warm and genuine and like a soothing balm to all Mattʼs senses. The glance was quick, intelligent and merry. "Youʼre just full of surprises," Elena said, and to his surprise, she slipped a slender, cool hand in his.

Matt couldnʼt explain the sensation then. It was simply like lightning flowing up from her cool fingers into his palm and up his arm and then on upward until it fried his brain with a million volts.

It was the best thing that had ever happened to him.

It was also lucky that his car knew the way to the flower shop all by itself, because his brain definitely wasnʼt there to direct it. Elena talked

without chattering, and without leaving any awkward pauses when he had to gulp in air. She talked about decorating for the Fall Fling, told an amusing story about how, while trying to disentangle the colored spotlights for the Fling, sheʼd ended up caught in the rafters, and finished up with a genuinely funny joke that wasnʼt dirty or a putdown of any culture, race or sex.

Matt Honeycutt fell in love.

He hadnʼt realized he hadnʼt been in love before: only infatuated.

Of course anybody could become infatuated with Elena, the way that bees were drawn to flowers. She sent out pheromones; she conformed with the perfect image of the perfect girl that was somehow woven into every Caucasian boyʼs genes, or else that was propagandized into them by the time they were three years old. Elenaʼs beauty was perfect, absolutely without flaw. But if that was as far as you went, you werenʼt talking about love.

Love was when you got to know the girl behind the mask—as he was sure he was getting to do now. Love was when you saw that under the mask was an innocent, merry, amusing young girl, all of which he saw clearly when she spoke. Maybe, just maybe she was a little bit stuck on herself, but how could she not be, the way everyone treated her? Matt didnʼt think that was such a bad thing. Matt wanted to pamper her.

"Okay," he said, "Weʼre coming up to the first stop. Shut your eyes."

Elena laughed. The very sound of her voice was like birdsong. Matt got out of the car.

And then his heart started pounding—and not in a good way. The door to The Flowery was closed and its windows were dark. Heʼd planned everything out beforehand, had even paid beforehand for a single, white rose. He was going to give it to Elena, with one single piece of feathery fern behind it and a spray of babyʼs breath in front of it—and heʼd even asked for it to be tied with a blue bow!

And now—the door wouldnʼt open under his wrenching hand. Heʼd wasted too much time. Heʼd blown it. The florists had gone, and they hadnʼt even left his rose in a box by the door.

Matt didnʼt know how he got the courage to get into the car again. But Elena was smiling at him, her eyes open.

"Elena, Iʼm sorry—I—just—"

"Itʼs not your fault—itʼs mine for making you late. Oh, Matt, Iʼm so

sorry! But this isnʼt a dance. You didnʼt need to get me flowers."

Matt opened his mouth to tell the story of the white rose, then shut it

again. It was agony, how badly he wanted to tell her, but wouldnʼt that make him seem even more pathetic? In the end he gritted his teeth and said in a voice he tried to make light,

"Oh, it was just something I was going to get for you. Never mind. Maybe Iʼll have another chance tonight."

"Are we at least going to get there on time now?"

Matt looked at the clock. "Yeah, just barely. Make sure youʼre strapped in."

And then Matt had a once-in-a-lifetime experience: seeing Elena do her comfort act. At first, she said nothing, did nothing, just sat a little forward, smiling to show she liked the song that was playing. And then, when he managed to gulp the ball of disappointment down his throat and swallow it, he realized that she was looking at him and smiling. And he couldnʼt help smiling back.

"Hey, we are going to be on time," he said, and he realized that he was saying it happily. The night had just begun. There might be one of those strolling flower sellers at Chez Amaury. Heʼd get Elena a whole sweetheart bouquet. How could he be unhappy when the incomparable Elena Gilbert was with him?

They wheeled into the parking lot at 7:59 p.m., seatbelts already unfastened as they cruised up to the valet stand. Matt hurriedly handed his key to a valet driver, and tried to turn away before he could see the manʼs reaction to Mattʼs car.

He didnʼt turn fast enough. But he saw no revulsion, no sneer of disgust on the valetʼs face. Instead he saw fascination. Following the valet driverʼs gaze, he saw a slim, swaying figure in blue waiting for him.

That was when Matt knew that his luck had changed. Elena had chosen to wear just the bolero jacket that matched her stunning little dress. She must be freezing but she looked gorgeous. He slipped around her and held the door open for her and they both entered the dim, plush interior of Chez Amaury.

The employee who led them to their booth was snooty. He smiled graciously and a little wonderingly upon Elena, but when his gaze swung around to Matt he merely sniffed and looked sarcastic.

It didnʼt matter. They were in a bubble of their own little world together, Matt and Elena, and everything was right. Matt had never been any good at talking to girls. He got by by being a champion listener. But somehow Elena drew words right out of him without seeming to try to. He liked to talk to her. She was fun. Her words . . . sparkled.

And she had a will of steel behind those lapis eyes and that magnolia blossom skin. When the waiter rather deliberately gave them their large menus, and one small one, murmuring something about alcohol and I.D.s, Elena let loose a volley of French which had the effect of sending the man creeping—almost slinking—away.

"Iʼm studying French for this next summer," Elena told him, cheerfully watching the waiter depart. "I can already insult people in it pretty well. I asked him why theyʼd kicked him out of France where everyone our age drinks wine."

"Whatʼs happening this summer?" Matt asked.

"Iʼm going to France. Itʼs not an exchange thing; itʼs just something I want to do. To stave off boredom, I guess." She gave him a smile that seemed to turn the whole world into dazzle. "I hate to be bored."

Donʼt be boring. Donʼt be boring. The command thudded through Mattʼs brain as Elena began to tell a story, while his higher thought processes were in a whirl of confusion.

Sheʼs so beautiful. . . delicate, like fine china. . . her hair like old gold in the darkened restaurant . . . and by candlelight her eyes are almost violet—with gold splattered across them. Jeez, I can even smell her perfume in this tiny booth—I guess they gave us the worst that they had . . . but itʼs still pretty impressive to me.

Elena finished the story and began laughing. He laughed with her, unable to help it. Her laugh wasnʼt shrill; it wasnʼt sharp; it was as melodious as a brook winding its way in and out of a forest glade. Wow, check it out, that was almost poetry, Matt thought. Should he tell her heʼd written a whole long real poem about her at home? Nah, heʼd bet dozens of other guys had said that to her.

"But Iʼve been doing all the talking," Elena said, with a little side glance as if to say, And youʼve been doing all the staring. "Tell me about you."

"M-me? Well—Iʼm just an average guy."

"Average guy! Quarterback and MVP for the football team. Tell me how it feels when you win a game out there, with everyone screaming and cheering."

"Um. . . " In all his years of playing football, nobody had ever asked him this.

"Well—" There was something wrong with him; he was going to be honest. "Uh, well . . . Actually, really it feels a lot like this!"

"Like eating French bread in a restaurant?"

"Oh. . . " Matt hadnʼt even realized that there was any bread. Heʼd completely missed seeing it put down. Now he broke off a hunk and spread it lavishly with butter, suddenly remembering that he hadnʼt eaten any lunch.

Elena watched him in amusement over a glass of sparkling water.

"I would have thought you football guys werenʼt allowed to eat butter," she said, twinkling her eyes at him. Yeah, that was it. She could make them twinkle when she wanted! What a skill!

"Itʼs one of the four food groups," he informed her earnestly, hoping she wouldnʼt think he was crazy.. "Sugar, salt, fat and chocolate."

"—and chocolate!" her voice chimed in with his as he finished. They both laughed again together.

This was so easy. It was like being with your favorite relative, only better. You could say anything, no matter how dumb, and it wouldnʼt matter. Sheʼd turn it into something witty. Heʼd never felt like this with any girl.

The waiter came back, but Elena waved him off with a languid hand. She wasnʼt intimidated by the guy in the slightest. Matt added "courage" to the list of her virtues.

Suddenly he got goosebumps. This year heʼd had to take a drama class to fill out his schedule, and they were performing "Two Gentlemen of

Verona." Matt just couldnʼt get his mind into the play. Maybe it was because the actress for Sylvia was Caroline Forbes, who in fourth grade had done things like giving herself Indian burns and then running to tell the teacher Matt had done it. But right now, looking at Elena, words from the play—word- perfect—came into his mind:

Who is Sylvia? what is she,
That all our swains commend her?
Holy, fair, and wise is she;
The heaven such grace did lend her. . .

Whoʼs Elena? he thought. What is she? That everyone commends her? Holy, fair, and wise is she, the heavens such grace did lend her . . .

Oh crap, now Iʼm getting really sentimental, Matt thought. That was awful. And from what heʼd heard, Elena wasnʼt too holy, either, but she sure looked like an angel.

"Matt, can you tell me something?" Elena asked, her finger tracing a tiny flaw in the tablecloth.

Mattʼs heart jumped. Heʼd missed the last few minutes of conversation. "Sure, what?" he said.

"What is it about boys and cars? Why are they so into them?"

For a moment Matt flushed. Just thinking of his ancient, battered, skeleton of a car made him wonder if she was making fun of him.

But she wasnʼt. Her face was perfectly serious. She seemed to have forgotten what kind of car he had and was asking a general question about all guys.

"Well"—he had an impulse to rub the back of his neck but didnʼt. "Carsare..."

"I wondered if it might somehow go back to the days of horses," Elena said, tilting her head.

Suddenly neurons lit up in Mattʼs brain. "Hey—thatʼs—well, that could be it—for me, at least. I spent a couple of years on a farm when I was a kid—you know, just a rinky-dink, little farm, but it had horses. And behind the stable where its horses were kept, was a stable of thoroughbred horses, racing horse, right?"

She nodded and he sighed.

"I just loved to watch those thoroughbreds moving. They were the most beautiful things you could imagine—for animals, I mean," he added hastily.

"How were they beautiful?"

"Well—just—I donʼt know. They were just incredible. They had these delicate long legs, and these heads that were always up in the air, with these manes always tossing and flowing. They moved in a way I just canʼt describe—sort of always lazily, but you could just tell they had a lot of pent-up energy inside them, too. As if they wanted to be running as fast as they could, forever." Matt reached for his Coke, suddenly realizing that heʼd been talking for a long time. "Sorry, got a little carried away there. What I meant is that horses are speed, and so are cars. And I guess thatʼs one reason I like to think about them."

"Donʼt apologize. I thought that was really fascinating," Elena said, and he realized that she was telling the truth, that she was interested. Sheʼd been holding a bite of bread in her hand, forgotten.

"Thanks for listening," Matt said. "They . . . sure were pretty." His voice got stuck somewhere in his throat as he gazed at the beautiful girl just in front of him.

"So speed is a part of it," Elena said, smiling at him, her cheeks glowing pink in the candlelight.

"Speed, yeah. Like when I get to drive a better car than The Junk Heap out there—like a convertible, and I put down the roof, and I drive really fast on a straightaway or around little sudden hilltop curves. Sometimes, somehow, you feel as if youʼre part of the car and its part of you. Itʼs like flying."

Matt stopped, suddenly, overcome with confusion. Somehow in his excitement he had picked up Elenaʼs hand and was squeezing it. bread and all. He felt himself flushing and he was just going to put it back where heʼd got it, when Elena squeezed his fingers warmly and then took it back herself. Thank God the bread hadnʼt been buttered.

"So there anything more about ʻreally good carsʼ?" she asked, almost teasing, but never breaking eye-contact with him.

"Well, thereʼs—thereʼs something"—he had to break eye contact with her to say this—"thereʼs something sort of physical about driving a car that lets you feel every bump in the road. When youʼre part of it—and itʼs just you out there feeling the air and the ground—itʼs sort of—physical, you know? Sort of—sexy."

He was almost afraid to look at her, then. But rippling laughter made him flush and then two warm hands took hold of his. "Why, Matthew Honeycutt, youʼre blushing! But"—in a suddenly serious voice—"I think I know what you mean. You mean something Iʼve felt with cars—but Iʼve never been able to describe."

She went on talking, but Matt wasnʼt even in the room anymore. He was circling the solar system somewhere around the planet Neptune and comets and asteroids were sailing around with him, bonking him on the head every so often.

When he came back she was laughing about a parasailing experience sheʼd had once when the sailors had accidentally landed her on the sand and not in the water. "But before that," she said. "It was perfect. Just the rushing wind, with the inlet big and blue underneath me, and the feeling of traveling—fast—through the air. Almost like being a bird. I wish I had wings."

"Me too!" Matt blurted. If his heart could have been pounding any harder, it would have started pounding. But it was at its maximum limit already. "Iʼd love to go parasailing. That must have been incredible." He looked at his plate. "Tell the truth, I think the most incredible thing thatʼs happened to me is . . . tonight."

Immediately, Elenaʼs mocking laughter cut him down to size—but that wasnʼt happening. Elena wasnʼt laughing. She was looking down at her round white plate and blushing. Then she raised her head and Matt could have sworn that there was a sheen of unshed tears in her eyes.

But she wagged her finger at him in a scholarly way. "Donʼt be silly, Matt. What about that game against the Bullfinches, when you threw a 50-yard touchdown pass? Now was that incredible or was that incredible?" Matt goggled at her. "You like football?"

"Well, youʼve got me there. I donʼt like all the injuries, and I donʼt like most jocks. But my dad—he was a tight end with Clemson, and he helped them win the Orange Bowl. So I just had to learn about it. Dad has a lot of records, you know, most passes caught in a game, most passes caught in a season, most touchdowns caught in a season, most touchdowns caught in a career—"

Matt found himself staring. "Why didnʼt he go pro? Or did he?"

"No, he started a business instead. But he left me his football instincts."

Matt made himself laugh. He didnʼt know how he was feeling. His heart was soaring in twelve different directions at once. But somehow he made himself look mock-stern and waved a finger back at her. "Well, I bet you donʼt know about my real moment of glory," he said. "We were playing the Ridgemont Cougers and the score was tied and I was desperate. The clock was running down and suddenly I had this crazy, grandiose idea, and I—"

"Ran to the right to fake giving the ball to Greg Fleisch, the halfback," Elena interrupted smoothly. "But you kept the ball yourself and ran it—and ran it—and ran it for an amazing touchdown just before four Cougers tackled you at once."

"Yeah; they broke my collarbone, too," Matt said, grinning. "But I didnʼt even feel it. I was soaring somewhere over the clouds."

"People were screaming and kissing and throwing things," Elena said. "Even the Cougersʼ fans went crazy. One of them grabbed me and tried to French kiss me."

And I bet his mind wasnʼt on the game, Matt thought, and surprised himself by saying, "Tell me his name and Iʼll break his jaw for him."

"Oh, I already kicked him in the shin," Elena said calmly. "Backward, so I could scrape all the way down the shinbone with my heel." She added the last with a sweet little smile that a Spanish Inquisitor— Torquemada himself, maybe—would have envied.

"Well, I can see Iʼd better keep you from getting mad at me," Matt said, and Elena laughed again, showing the even white pearls of her teeth.

"I donʼt think," she said, "that anybody could stay mad at you for long."

Matt didnʼt know what to say. All those idiots, he was thinking. All those losers who only want to go on dates with her because of her looks, are just missing the whole damn ballgame. Sure, sheʼs a knock-out, but more important, sheʼs like . . . the worldʼs perfect person: smart, and witty, and fun, and . . . well, just perfect. The way she makes everything easy, and how she makes you feel so good about yourself, and . . .

Matt had a crazy impulse to go down on one knee and ask her to marry him right then and there.

Then he burst into laughter at the absurdness of it all. He was just going to say something when someone behind him coughed with malice aforethought.

"Were Monsieur et Mademoiselle zinking of ordering at zis point?" the waiter ground out, obviously irritated.

"I guess itʼs about time to look at our menus," Elena said, putting her hand over her mouth to not-quite hide a giggle.

"Weʼll be ready in a few minutes," Matt said, in his most princely dismissive tones.

The waiter almost stomped off.

Matt looked at Elena. She looked at him over her curled-up hand and then they were both laughing hysterically, fighting for air.

"Poor guy," Matt said.

"Oh, well," Elena raised her eyebrows indifferently. "He is just a waiter, after all. Waiting is what heʼs paid to do."

This was the first time Matt had seen the ʻIce princess" side of

Elena Gilbert, and he didnʼt know what he thought about it. But, he figured, if Elena were really perfect, she wouldnʼt be human. And if anybody at Robert E. Lee had a right to have an attitude like that, Elena Gilbert was that person.

"Shall we?" he said and handed her a menu.

"By all means," Elena said in a mock-19th century gracious manner, and they opened the menus.

Despite all his preparation, the prices still took Mattʼs breath away. A New York steak was $39. But if Elena ordered a steak, he could have the chicken, which was only $23. That would be $62. The entrees came with vegetables, but there was also the appetizer to consider. He could suggest they share the spinach salad, which was only $10. That made $72. Then even if she wanted a desert, heʼd have plenty to indulge her— but wait, there were the drinks. Heʼd had two; sheʼd had one. That sparkling water was $7 a bottle—each Coke was $2. And the tax. And the tip. And the valetʼs tip.

Well, heʼd just have to drink regular water from now on, and hope that maybe Elena didnʼt want both an appetizer and a dessert.

"What do you want to start with?" Elena whispered. "I usually like half a Caesarʼs salad. They make it at your table here. Itʼs really good."

Matt nodded vigorously so he wouldnʼt have to look her in the eye. At least it was only one Caesarʼs, at fifteen dollars. Hey, wait! He knew. There was some kind of smoked salmon on the appetizers list. He could have it for his entrée—Matt knew you could do that—and it would only be six dollars. Heʼd just make himself a sandwich when he got home. Everything was going to be all right.

The waiter was back, looking snootier than ever.

Matt spoke up, "I—I mean we—we—weʼd each like half—"

"Weʼd like to split a Caesarʼs," Elena said calmly, barely glancing at the waiter. She smiled into Mattʼs eyes. "Right?"

"Thatʼs right," Matt said heartily.

When the waiter had stalked off, Elenaʼs smile changed, became a mischievous grin. "Heʼs not going to forget us in a hurry," she said. The light from a chandelier shone over her left shoulder, framing her in rainbow light.

Matt wished he had some way to capture the image forever. There was something about Elena—as if she were sparkling at the edges—that heʼd never seen in a girl before. It was as if light constantly danced around her, as if sometime she might just disappear into the light. Hell, he thought, I can just "get a stomach-ache" and not be able to order any entrée, he thought. Then Iʼll recover in time for dessert or something. But she can have the lobster for all I care!

Now he was getting embarrassed, though. No one was saying anything.

"Do you have a pet?" Elena asked suddenly.

"Um." Mattʼs first impulse was to check if there were dog hairs on his jacket or something. Then he looked up to find her smiling into his eyes again.

"Well, I had an old Labrador Retriever," he said, slowly, "but she got cancer and—well that was about six months ago."

"Oh, Matt! What was her name?"

"Britches," he admitted, feeling himself flush. "I named her when I was four. I have absolutely no idea what I was trying to say."

"I think Britches is a perfectly respectable name." Elena said. She touched his hand lightly, with one finger. A feeling like slow, sweet molasses, crept out from her touch and into his veins, sustaining him. He wished she wouldnʼt take her finger away.

She didnʼt. She said, "We keep losing cats. Margaret brings them home half-starved, Aunt Judith slaves over them and then they run around the neighborhood—" She made a slight, meaningful gesture.

Matt winced. He had a low tolerance for furry animals getting squashed, but he had to be macho about this. "Cat au vin?" he suggested, miming pouring a glass of wine.

Elenaʼs eyes wept but her mouth gurgled. "As in—a catʼs that been run over by a . . . yeah, thatʼs about the size of it."

Matt couldnʼt help but laugh, and then he told the story about how one year Britches had put her paws on the counter and picked up a half- eaten Thanksgiving turkey in her mouth and wandered into the family room holding it up like a trophy. Elena laughed and laughed at that. She laughed as the waiter made up a Caesarʼs salad beside their table too, and told a story about Snowball, who loved to sleep in boxes or in open drawers, and who had been accidentally shut inside one when she was a kitten.

"The noises she made!" Elena exclaimed. Matt laughed with her. He would have thought you had to sit at attention and watch the salad being tossed, but no—Elena clearly had seen enough of such sideshows. She accepted her plate with a cheerful "This looks great!" and a waving away of the Fresh Ground Pepper Shaker, as if sheʼd done this all her life.

Maybe she had. Maybe, going out with so many other boys . . . but what difference did that make? Tonight she was his.

A girl was walking around the room selling little sweetheart bouquets and single roses. Elena talked to Matt without once giving the girl a glance. There was no reason to do it—it was a stupid impulse—but something inside Matt burst as he saw the girl, who was dressed like a gypsy, turn away.

"Wait," he said. "Iʼd like to get that." He gently touched one rose that was in almost full bloom. It was mostly white but the inner petals were touched with pink and the outer petals with a color that was almost golden. It reminded him of Elena: her skin, her cheeks, her hair.

"Very nice; perfect choice," the gypsy girl said. "A genuine Florentine rose such as Botticelli painted. And only fourteen dollars." She must have seen Mattʼs look of shock—the single rose heʼd bought at the floristʼs had been only five dollars. The gypsy added quickly, "And of course it comes with a love fortune—for each of you."

Elena was opening her mouth, and Matt could tell that she was going to send the flower seller away. But he instantly said, "Thatʼs great!" and she shut her mouth, and looked a little sober for a moment before smiling.

"Thank you so much," she said taking the rose, while Matt wondered suddenly if he should have bought her a whole bouquet—he could see the sign on the basket now, and they were only a dollar more because the rose in them was a miniature—or maybe an all white rose to go with her outfit. God, he was dumb. Why not just buy her a red rose and make the colors clash completely?

"One fresh, long-stemmed Florentine rose," the gypsy girl said "and a double love fortune. Show me your palms, both of you.

Flushing, Matt did as she asked. Then he was caught with a case of the snickers. He knew he couldnʼt laugh, either roaring or giggling—but he almost couldnʼt hold it in. Oh, God, he thought, donʼt let me fart! Not now, while the gypsy lady was poring over their out-thrust palms, going, "Hmm," and "I zee," and "But yez, of course," in a fake French accent.

Finally, he sneaked a peek at Elena and from her hand over her mouth and her crinkled up eyes he saw that she was having the same problem, and that immediately made it twice as bad.

Finally, the gypsy lady stopped muttering and spoke to Elena. "You will have nearly a year of sunshine. Then I see a darkening—there will be danger. And in the end, you will prevail over the darkness and shine anew. Beware of dark young men and of old bridges."

Elena bowed gravely in her seat. "Thank you."

"And you," the woman said to Matt, still looking at his palm, "you have found your lady love, half-child and half-woman. Now that you have fallen under her spell, nothing will tear you apart from her. But I see a time of darkness of the heart for you, too, before you move on. You will always be ready to put your loveʼs interest ahead of your own."

"Um, thanks," Matt said, wondering if she expected him to tip her, but she said, "For potions, love or hex, visit me in Heron, at my shop ʻLove and Roses.ʼ"

She handed Matt a card and went ambling on with her bouquets.

And then Elena and Matt could laugh as hysterically as they wanted, which was quite a bit. Matt only calmed down when he remembered he probably should have gotten the white rose, to go with Elenaʼs outfit. He felt dumb. But Elena was still laughing,

"Meredith would have taken her to pieces," Elena gasped finally. "ʻA time of darkness before you move on . . . ʼ But the rose. . . itʼs the prettiest Iʼve ever seen."

"Really?" Matt felt a rush of passionate relief that came out as rather silly laughter. "Um, better than a white one?"

"Of course." Elena stroked her cheek with the bloom. "Iʼve never seen another one like it."

"Iʼm so glad. It, well, it reminds me of you."

"Why, Matt Honeycutt! You flatterer!" Elena tapped him gently with the rose, and then began caressing her lips with it.

Matt could feel another flush beginning, but this one was for two reasons. Normally, there would have been a third, an embarrassment about how to word what he needed to say, but his need to figure things out was so urgent that he simply said, "Would you excuse me a minute, please?" and scarcely waiting for her gracious nod, he hurried off in the direction of the bar to find a restroom.

The menʼs room was right down a little corridor. Matt went in and took a stall, pulled his wallet out and began to calculate frantically.

Hey, relax, he told himself before he started. Youʼve got plenty. Just donʼt do any more impulsive things like the rose, and donʼt plan on giving big tips.

Now, if she had, say the chicken and wild mushroom piccatta—he felt he had the menu memorized by now—that would be $25. And then he could have the salmon cakes appetizer, which was only $12. And then they could even have desert and coffee, too, if he cut the tips to the bare minimum.

"Get back out there and entertain yer girl," he swore he could hear Uncle Joe saying, while at the same time the feeling of a boot to the backside seemed to come from his back pocket. And it was good advice. The only problem was that it made him need to take a look at the hundred- dollar bill, to touch it for good luck, and to gaze at it for comfort.

Shaking his head at himself, he twisted the wallet sideways so as to expose the secret compartment and felt in it.

And felt in it.

And felt frantically in it and around it, managing to almost turn the wallet inside out.

At last he had to let the words surface in his brain. The hundred-dollar bill wasnʼt there.

It was gone.

It was gone.

Where? When? Heʼd last seen it when he was playing with his wallet at home, day-dreaming about the date. He knew heʼd seen it then. What could have happened to it?

Desperately, he searched the rest of his wallet. Nothing, His other money was there; he hadnʼt been robbed, but . . . no hundred-dollar bill.

Matt spent the next ten minutes in the most frantic and most intimate skin search of his life . . . on himself. He looked everywhere. Could he have slipped it into a sock? Could it have somehow got taken in with his laundry? No. Other compartments, anywhere? No.

Finally he had to admit that nothing else but the bare fact mattered. The hundred was gone.

And the terrible thing was that it hadnʼt had to happen this way. There was a rumor that Elena Gilbert never went out if she didnʼt pay half. Sheʼd actually confirmed that to him when heʼd gotten up the courage to stammer out the words, "Will you go out with me next Saturday?" He remembered exactly how her blue eyes had lit up and how sheʼd said, "Yes, but I always go Dutch." And he, idiot of idiots, had puffed out his chest and said, "Not this time, you wonʼt."

Hoist on his own petard. Whatever that meant.

Now, what to do about it? God, what could he do? Most of his buddies were practically broke in autumn—besides it was a half hour drive for them. His mom—he glanced at his watch and winced. It was after 9:00—no wonder that waiter was so mad—and his mom would be asleep by now. Her shift at the bakery started early.

Damn! He could almost cry. This was—how was he going to walk up to Elena and tell her that he didnʼt have the money to buy her dinner when they were already there eating it? Oh, God, she wouldnʼt speak to him for the rest of his life. And heʼd be arrested, locked up as a con man . . . or whatever you called it . . .

He couldnʼt do it.

But he had to.

It just had to be done.

And telling himself that, the way a soldier on the night of his very first battle might, he made himself march back to the table. There he made himself sit down facing Elena.

She was bubbling with good cheer. "Monsieur Garςon came by but I sent him away. Heʼs going to be back in—" She suddenly stopped, her whole manner changing. "Matt, what happened?"

Matt opened his mouth but nothing came out, not even the dry brown moth he imagined being inside. What could he do? Did they even let you wash dishes to make up for it if you couldnʼt pay for a meal? Or was that just an urban legend? He couldnʼt imagine Elena, in her sparkling moonlight-blue dress, washing dishes.

What if he just let the meal progress to its conclusion, and then tried to have a word with the manager in private? Things were tight around the Honeycutt household right now, but when werenʼt they? Surely, his mom would lend him the money in the morning? But one thought of how the waiterʼs face would look and that plan bit the dust. Besides, Elena would be humiliated. Elena! His perfect precious angel would be—

"Matt, youʼre sick. Youʼre freezing. We need to call a doctor."

Matt blinked, the world slowly coming into focus. He could just imagine how he must look: blue-white in the face, with icy hands and a constant tremor going through him. Hell, maybe that would work. Maybe if he acted really sick—

"I lost the money," he heard himself telling Elena.

"Matt, youʼre delirious."

"No, itʼs the truth." He found himself pouring out the story of his

Uncle Joe to her, of the way heʼd worked to make this date perfect, and of the horror it had become. He watched as Elenaʼs face took on a different look—he couldnʼt tell if it was a good look or a bad look. It was a look of quiet, lonely, suffering.

Finally, he finished the story.

He stared at the spotless white tablecloth.

And then he heard the most incredible sound. He had to turn his head to make sure he had heard it. Elena was laughing.

Laughing at him? No, laughing with him, her head tilted to the side and tears of sympathy in her eyes.

"Oh, Matt, what youʼve been through. What youʼve done just to make all this happen! But you can stop worrying now. I should have plenty to tide us over." She scooted and picked up a little purse that matched her blue outfit. "Here, let me see—oh!" Suddenly she was biting her lip in chagrin. "I forgot; I blew it all on this purse and some new makeup. Oh, Iʼm sorry."

That "Iʼm sorry" was enough to rip a hole in Mattʼs side and hull him. But then again, he heard melodious, mischievous laughter. He looked up dully, not really caring what happened to him anymore.

"Matt, itʼs okay." Under the table a warm hand found one of his and gave it a quick squeeze. "Itʼs all going to be fine. Now listen to me, because Iʼve got a plan—"

Years later he learned to be wary of that phrase "Iʼve got a plan." But this was the first time heʼd heard it. So he listened. And his mouth dropped open. And then kept opening and shutting, like a goldfishʼs.

"You really think we can do that?"

"I know we can, because of this blank space here." She pointed at the menu. He stared.

Then, slowly, he looked up at her and smiled.

"Okay, now wipe your face off, because you look as if youʼve just run a marathon. You lost your napkin? Here take mine."

It had to be his imagination, but Matt actually thought he could smell her fragrance on the napkin. He wiped himself down just in time for the waiter to return. Elena immediately entwined her fingers with Mattʼs on the tablecloth.

"Have Monsieur et Mademoiselle vinally decided to eat here tonight?" the waiter asked, heavily, looking at Elena, who nodded,


"ʻMadame,ʼ siʼl vous plait," Elena said sweetly. "And Iʼd like a

chocolate soufflé, with two spoons, merci."

"Mademoiselle—" The waiter looked about to explode.

" ʻMadameʼ " Elena reminded him.

"Madame, you cannot—cannot—" The waiterʼs face was brick-red. "But we can," Elena answered in her sweetest voice. She pointed to the menu. "Thereʼs nothing that says thereʼs a minimum charge per customer."

"That," the waiter said as if he were trying to keep his haughty attitude, but was blowing up like a balloon ready to hit the ceiling "is because—is because—because ze clientele we serve knows better without being told!"

Elena put her free fingers to her lips. "Monsieur, people are starting to stare."

The waiter controlled himself, obviously gathering all the dignity at his command.

"And monsieur?" he said in a voice like ice, turning to Matt.

"Oh, um. me? Iʼd like, um, two scoops of vanilla ice cream. And two spoons," Matt found himself saying, and curbing equal urges to flee and to burst into hysterical guffawing. "Oh—and two cups of coffee."

"You want—"

"Two scoops of vanilla ice cream." Matt was afraid he the waiter would burst.

"Cʼest impossible . . ." murmured the waiter, but he wrote something on his pad. The crisis seemed to be over now. The man had gone from red to pale, and he managed to turn away from them without detonating. "It weel take ʻalf an hour for ze soufflé to cook," he said, with his back to him. "Meanwhile . . . Bon appétit!"

Once he was gone, Matt and Elena collapsed into out-of-control laughter.

"Oh, God, did you see his face?" Elena gasped. "The poor man— weʼll have to give him all we have left for a tip . . ."

"Tip, nothing. He was rude to you. As far as Iʼm concerned he gets no tip, and Iʼm gonna ask him to ʻstep outsideʼ if it happens again."

"Oh, Matt. You really are a knight in shining armor. But can I tell you something? My favorite restaurant is Hot Doggles—yes, the hotdog place back in Fellʼs Church. And my favorite thing to do on a date—now, I donʼt want to sound spooky—but I like to walk around the graveyard or the Old Woods in the moonlight. I—I donʼt really care about fancy stuff. If I like a guy"—and here her eyes seemed to be saying something Matt could hardly let himself believe—"Iʼd rather just go to his place and listen to music, or bring him over to eat dinner with the family. The rest is just—" She made a dismissive motion with her hand. "Just for the idiots I have to put up with sometimes. The jocks who need jockstraps for their brains." She tossed her head, so that her beautiful, waving. golden hair flew from side to side.

Matt opened his mouth and again nothing came out. There was no Uncle Joe to kick him in the behind.

But somehow there was. In spite of the missing bill he felt a kick, and words just dropped out of his mouth, "If Iʼd known you were that kind of girl, Iʼd have asked you out a long time ago," he blurted. "I thought you were—some kind of pampered princess."

The next minute he could have bitten his tongue off. But Elena wasnʼt mad. Instead she was saying sadly, "Lots of guys think that. I guess I am, really. I know what I like when I see it. And I want what I want when I want it." And once again her eyes said something to him. And this time he couldnʼt help but believe it. And he knew that his eyes were saying something back to hers, too.

"So thatʼs why you never asked me out. I guess itʼs up to me to set the record straight." She sat up and smiled again, this time brilliantly, "And when I take you out on our next three dates—"

"Three dates!"

She nodded solemnly. "Theyʼll be dates at places like Hot Doggles or something like that—have you ever tried Midgeʼs, right at Main Street and Hodge? Itʼs great—and weʼll talk and just have fun. When spring comes weʼll go on picnics. Have you ever flown a kite? I know itʼs for kids, but itʼs really exciting to run and run and suddenly feel the wind bite. Then you let go." Her expression went dreamy. "Sometimes I donʼt want to let go. I want to go up with the kite."

"Like skydiving," Matt said, watching her face eagerly. He loved to look at her when her cheeks flamed and her blue eyes took fire.

"Oh, yes, like skydiving. Wouldnʼt that be fun to do together? Or a balloon ride. . . I hear they have those over in Heron. Weʼd have to save up, though—in winter we can make snow people!"

"Snow ʻpeopleʼ?"

"Oh, thatʼs Meredith. She says we always say ʻmenʼ when we mean ʻmen and womenʼ so weʼre all used to using ʻpeopleʼ for everything by now. I want you to meet them all: Meredith, and Bonnie, and Caroline." She held up a finger sternly. "No dating them though. Bonnieʼs got a crush on you. But I have first dibs."

Matt didnʼt know where he was going. He didnʼt care, either, because it felt as if he were headed straight for Heaven.

"Iʼve known Caroline for years and years," he heard himself say. "I thought you were like her, only, like, multiplied by ten." Then he saw her glance at him and wanted to clap his hand over his mouth.

"Well, sometimes I am," Elena said. "Youʼll just have to find out in what ways, wonʼt you?"

Just then the dessert arrived. Matt watched as the waiter solemnly placed a chocolate something-or-other in front of Elena—and two spoons, and two round balls of vanilla ice cream by his place—and two spoons. Then he poured them coffee, put down a little folder with the bill inside it, and turned on his heel as if he never wanted to see them again. He didnʼt even say ʻBon appétit.ʼ"

"Did we make it?" Elena whispered as Matt frantically calculated the tips for waiter and valet.

"With a dollar to spare!" he whispered back, and again they broke out into laughter together.

They each wanted to let the other one have the first bite of chocolate soufflé. Finally to save the ice cream that was melting, Matt took a heaping dessert spoonful, dabbed it in one of the melting ice cream balls and smiled at Elena. Then, while Elena opened her mouth to ask if it was good he swiftly brought the loaded spoon to her mouth and pushed. Elena had only a fraction of a second to decide. Either eat the dessert or get soufflé all over her silvery-blue dress. She made the right decision, almost too late and by the time large drops of brownish white were falling off the spoon it was safely over a napkin that Matt was holding with his other hand.

"I can be stubborn, too," Matt said. And then, hoping she wasnʼt mad, "Is it good?"

"Delithious," she said a little indistinctly, finishing up with a sip of water and a last dab. The, before Matt knew what was happening an object loomed out of nowhere at him and cold steel touched his teeth. "Open wide," a sweet voice chimed in his ears and he quickly opened as wide as he could to take in a huge sticky bite of delicious hot chocolatey- goo mixed with sweet cool vanilla ice cream.

He was sure that he looked like an idiot as he sat there chewing on the giant mouthful, but it was so good, and Elena looked so pleased with herself, leaning forward as she did to scoop dollops of gloop off his chin as carefully as a barber.

"Sʼwonderful," he managed, swabbing his face with the only napkin in sight.

"It is, isnʼt it?" Elena twinkled back. Then her face looked serious. "No, itʼs not."

"Itʼs not?" Mattʼs heart almost stopped.

"Itʼs . . . perfect!" And she laughed, showing white and shining teeth despite the chocolate. Matt could only hope that his own relieved grin was as free of goo.

"You know what?" Elena said, then, looking him deeply in the eyes. "What?" Matt barely breathed.

"Weʼd better eat all this quick before it melts."

And so they did, laughing and feeding each other an occasional bite. The dessert was wonderful, but more wonderful was the look in Elenaʼs eyes every time Matt looked up. Of course, he had a hard time believing the look, so he had to look up frequently. This resulted in a number of small spills of chocolate—fortunately none on the silver-blue dress.

They were just drinking the last of their coffee when a shadow loomed over Mattʼs left shoulder. What do you want now? I paid the bill, Matt thought, but it wasnʼt the waiter.

It was an elderly couple, perhaps in their sixties. Oh, no, God! Matt thought. Theyʼre going to ruin everything by complaining about the noise,

by complaining about how long Matt and Elena had stayed, or by complaining about . . . something.

"Weʼve been watching you two young lovebirds," the man said, in a slightly quavering voice that made Matt readjust his age by maybe ten years up. "And I have to say—"

"—it brought us both right back to our first date again," the old woman said in a fluty voice that made Matt readjust again up to maybe late seventies or even eighties. Normally he liked old people, loved to listen to their stories, loved to see their old attics full of memoirs. But now he was gut-sure that this couple would say something that would take all the shimmer off the date, like rubbing a butterflyʼs wings with dirty fingers.

"You two obviously have something very special," the woman fluted, smiling at Elena. "Youʼre a very lovely young woman."

Elena blushed charmingly and said nothing.

"And you, young man," said the gentleman, "obviously have money to burn."

Matt could feel his face turn red. Heʼd known theyʼd spoil it. They were making fun of him.

"Or at least to step on, anyway." The old man nodded toward Mattʼs shoe. "Do you realize youʼve got a bill stuck there?"

Everything went very sluggish and hazy. Slowly, with a dark mist obscuring most of his vision, Matt pulled up one foot and then the other, looking at the soles.

And there, on the bottom of his right foot, was the hundred-dollar bill.

It was almost like a message—a joke—from old Uncle Joe. You think Iʼd really leave ya in the lurch, kid? Nah. But the way to this girlʼs heart isnʼt through showerinʼ her with fripperies—yes, Uncle Joe actually said that: "showerinʼ her with fripperies." Itʼs through showinʼ her yer own heart. What, now are you gonna pout? Just look at her!

Matt looked through the dimness at Elenaʼs shining face.

"I—Iʼm so sorry," he managed. "It must have fallen out when I first opened the wallet and then I stepped on it and then I couldnʼt see it— but—everything that I put you through—"

"Matt, isnʼt it wonderful!" Elena was saying. There were tears in her eyes. "And thank you, sir, for noticing it before we got outside and it got all muddy."

"To tell you the truth, Iʼd have mentioned it before," the old gentleman whispered. "But you were managing so well yourselves—we were in the booth right here"—he indicated a booth behind him—"that I couldnʼt bring myself to spoil the dream."

To spoil the dream.

And that was what this had been in reality—a dream date.

Matt looked at Elena and Elena looked back and then she laughed and hugged the old man. "Thank you," she said. "Thank you for not spoiling it. Iʼve been here to this restaurant"—Elena shrugged—"twenty times or so, but tonight was the best."

"And I say that any boy who can wow a girl while feeding her only bread, lettuce and chocolate must have something special." The old man chuckled, looking at Elena appreciatively. "Hang on to this one, my dear."

"Thank you," Elena said again, and she added, "I think I will."

And she took Mattʼs hand and held on to it all the time it took to ask the valet driver if he had change for one hundred dollars—and only let go to hug the driver when he said soberly after looking at The Junk Heap, "This timeʼs on me." [1]


External links


See also

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